Published by: Ingrid King. Last Updated on: February 1, 2023 by Crystal Uys

Clea Simon

Those of you who’ve been reading The Conscious Cat for a while already know Clea Simon. For those of you who don’t, you’re in for a treat.

Clea is the author of three nonfiction books and three mystery series. I first came to know Clea through The Feline Mystique: On the Mysterious Connection Between Women and Cats (St. Martin’s Press, 2002). Her Theda Krakow mystery series was launched in 2005 with Mew is for Murder and continues with Cattery Row, Cries and Whiskers, and Probable Claws, all now available in paperback. She launched her Dulcie Schwartz series in 2009 with Shades of Grey and last year’s Grey Matters, and this year marks not only the third Dulcie book, Grey Zone, but also the launch of her Pet Noir series featuring Pru Marlowe with Dogs Don’t Lie.

Clea’s essays are included in numerous anthologies, including Cat Women: Female Writers on Their Feline Friends. She is also a respected journalist whose credits include The New York Times and The Boston Phoenix, and such magazines as American Prospect, Ms., and Salon.com.

Clea grew up in East Meadow, on suburban Long Island, N.Y., and came to Massachusetts to attend Harvard, from which she graduated in 1983. She’s never left, and now happily cohabits with her husband, Jon S. Garelick, who is also a writer, and their cat Musetta.

Welcome back to The Conscious Cat, Clea!

You have two new releases coming out within three days of each other: Grey Zone on April 1, and Dogs Don’t Lie on April 4. Did you work on these two books at the same time?

Well, I worked on them at the same time, but I didn’t write them at the same time. I had already written Dogs Don’t Lie and my agent was sending it around when my editor at Severn House told me that they would like a third Dulcie book. I was thrilled, as you can imagine, and set right to work on Grey Zone. But then somewhere in there, Dogs Don’t Lie sold and the editor wanted some changes and general polishing. So I was working on them at the same time for a month or two last spring.

What was that like? Was it hard to keep the two separate in your mind?

It was incredibly difficult, honestly. I’m not good at that kind of thing. Also, the voices are so very different. I guess that helped me keep them separate, but I found it hard to switch between the two. I tried various things – working on the raw writing of Grey Zone in the mornings, working on the fixes for Dogs Don’t Lie in the afternoons. Finally, I had to put Grey Zone aside for about two weeks of intensive Dogs Don’t Lie editing. Then it took me a few days to get back into the Dulcie mindset. But I did it, I think!

Authors are expected to do much of their own promotion these days. With your long list of titles, you’re a veteran at promoting. How is promoting two new books at the same time different from promoting one book at a time?

Ask me again in May! Seriously, I think I’m probably shorting Grey Zone a bit. The pet noir series is new; Dogs Don’t Lie is the first with this character and this voice, so I both want to work a little harder to introduce that, and also I think that, because it is new, it has the most news interest. More people are likely to write about the first book in a series than the third. That said, I’m trying to talk about both books when I do readings and other events. It’s really fun to talk about different characters and different voices: they’re both quite real to me, and I hope I can make them both real to readers.

In Grey Zone, Dulcie’s new kitten is presenting her with some behavioral challenges. Dulcie, who still misses her beloved Mr. Grey, finds it difficult to deal with them. What inspired you to add this element to the story? I recognized Allegra in some of her antics!

The fireplace story was taken from an incident with my own late, great Cyrus. He was totally not supposed to go up on the table or the counters – and I thought he never did. Until I moved into an apartment with a fireplace and … well, you read the rest! Since then, I’ve lived through many of the same kitten antics with Musetta, so I had a store to choose from. I think that all of us who are cat lovers deal with these little faux pas (faux paws?). I am hoping that other cat folks will recognize them and laugh and enjoy.

How did the idea for Dogs Don’t Lie develop?

I’m not sure, to be honest. I was reading a lot of the new female-oriented noir, books like Megan Abbott’s Queenpin, and I loved that cool tone – so tough, so in control. But when I try to write like that, it comes out a little cozier… and with a cat. Actually, I guess Wallis is the real tough broad heroine of this book. Didn’t realize that until just now!

Was there a real dog that you based the Lily character on?

No, not really. I knew that I wanted a “dumb blonde” who was being set up to take the fall in a crime she didn’t commit. And she had to be a dog who would automatically be viewed as guilty. Plus, in my research, I ran into an animal control officer who was a really strong advocate for pitbulls. He taught me a lot.

That said, after the book was written, I had a rather scary pitbull experience. A neighbor was sitting her son’s pit and was letting him run around our shared yard. I was sitting on my first-floor porch with the screen door closed behind me, and Musetta was sitting inside the screen door. Well, the pit saw Musetta and went for her – so fast that he got by me on the porch. He went through the screendoor as if it were nothing. Luckily, both Musetta and I are fast, too. Musetta scrambled up inside an opened window in my apartment – climbing up the screen inside the glass. And I tackled the dog right inside my apartment, landing on it with all fours. My neighbor came running. She, of course, said the dog only wanted to play. Yeah, right. Like I’d even take that chance. In truth, the dog didn’t fight back and as soon as I landed on him, was totally still (ha! Poor dog!). But I wasn’t taking ANY chances. That was terrifying for all of us; it took Musetta quite a few hours to return to normal. Me, too. Needless to say… the neighbor’s son’s dog was banished from our shared yard that night. Never, never again.

I think this was the classic human screw up though: My neighbor was a middle-aged woman who should not have been taking care of this young, active dog. Pits need to be exercised VIGOROUSLY. In the course of writing this book, I spoke to one pit lover who told me that he wouldn’t have the dogs if he weren’t a runner – he runs with his at least two miles a day. They also have been bred to react – they don’t go through the dominance/submission role-playing of other dogs – they just GO, and so they need to be carefully supervised and on some kind of restraint. I feel very strongly that the dog should NOT have been let run around the yard without a leash or a lead (the dog had access to my porch/apartment, obviously, but also to the street). But… we all survived and now it is water under the bridge.

We have since moved. Musetta remains a house cat, and the yard that she looks out on is fully fenced.

I loved Wallis – the combination of cranky and wise is absolutely wonderful. Is she based on a real cat?

Of course! I don’t know why, but I often voice Musetta as being quite fed up with all my silliness. “People, humph… sometimes I think you don’t have the wit God gave you…” I’ll say as Musetta leaves the room. Or, “Do you mind? I’m trying to nap,” when I sit near her and she looks up sleepily. Sometimes this confuses my husband, but he’s grown used to it.

Was it hard for you to write a canine character?

I had to do a lot more research, that’s for sure! I want to make sure all my animal characters have species-appropriate behavior and talents. So for that I have to read and talk to experts and visit with animals. From there, I let my imagination run wild.

I was intrigued with the cover for Dogs Don’t Lie – it features a cat. What was the rationale behind that design choice?

In truth, I have very little input or control over the cover. I’m asked for my input, and I give it, but then it goes to a designer and to marketing and I’m only consulted again at the end of the process. That said, right from the start, the one thing that we all knew was that this was a very different type of book from my previous mysteries, so we had to have a very distinct, very different cover. Poisoned Pen’s designer came up with a bunch. Earlier versions had no cat – but the one we all loved did have that cool blue noir look! I had suggested a cat early on, because the cat Wallis is central to the book (and the title would lead readers to expect a dog, not a cat). But then I saw that cool blue and loved it. So I said, “Great!” But the publisher said… let’s try one thing more. And voila, the same cool blue cover, same great typography – and now there’s a cat. I think from their closed eyes and the concentric circles, you’re supposed to get the idea that they are communicating psychically, which they do. I’m thrilled.

What’s next for the two series? Are you working on the next installments?

I am!! I have Cats Can’t Shoot drafted and now I’ve put that aside. I hope to spend the next two months drafting the very first rough draft of the fourth Dulcie, which doesn’t yet have a title. Then I’ll go back and revise Cats Can’t Shoot and turn it in. Then go back to Dulcie. Am trying to be a little more sane about it all this time, but I know that sometime in late spring or early summer I’ll be working all out and going a little nuts.

Thanks for joining us again, Clea. I can’t wait for Cat Can’t Shoot – what a great title!

Thanks so much, Ingrid! I’ve really enjoyed the opportunity to talk about these books and the process that went into them. I hope that they bring pleasure to readers.

You can learn more about Clea and her book on her website and on her blog, You can also friend her on Facebook and follow her on Twitter.

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